Mastercam Art
Mastercam Art - The Revolution of Artistic Design and Machining
Mastercam Art brings the power and experience to the design and machining of artistic reliefs. This software allows the conversion of 2D sketches, clip art, photographs, and CAD files into living creations on the screen, which can be machined using special machining paths. Whether you are working on simple 2D projects or complex 3D sculptures, Mastercam Art makes the process fast and easy, adding a unique touch to your work.
From 2D Images to 3D Models
Mastercam Art provides users with modeling tools that quickly transform 2D flat images into 3D sculptures by adding, subtracting, cutting, and blending numerous organic shapes. You can create 3D models directly from digital images; just scan a photo and Mastercam Art turns it into an organic, sculpted creation.
User-friendly Modeling Tools
Once you have created a "positive" model, you can turn it into a mold with a single click. Mastercam Art offers a quick and easy way to convert two-dimensional art into three-dimensional models.
The Artist's Eye and Computer's Capability
Mastercam Art combines artistic vision and computer efficiency, bringing 2D sketches, clip art, photographs, and CAD files to life on the screen and allowing them to be easily machined with special machining paths. Users can create anything from simple 2D projects to complex 3D sculptures in just a few minutes.
Mastercam Art Usage Process
- Import: Mastercam Art converts clip art, CAD files, scanned sketches, or photographs into a flat, machinable geometric shape, providing the foundation for creating the final model.
- Building the 3D Model: Quickly create a full 3D sculpture and let Mastercam Art "inflate" the artwork. Easily adjust the model to make it exactly as you want.
- Toolpath Creation and Machining: Easily editable toolpaths allow for quick experimentation with different machining techniques to achieve the best results.
Mastercam Art is an ideal tool for anyone who wants to add an artistic touch to their work.
